Just For You

*Reading Time: 2 minutes*

Tea Partyhalf

This was a personal project that kept growing, and growing, and growing in size. Just like the big blue guy on the left here! I can’t even count how many hours was spent making this, but I can say it was worth it. This is one of the projects that made me lose a bit of momentum, but every time that happens, it’s always best to push through. Never be afraid of change, or going in a different direction than intended. You never know what may happen!


This image was made with Paint Tool Sai, and later finished with Clip Studio Paint. Midway into creation, I bought a new laptop and a new program and that opened my eyes. The color specs of my old laptop were pretty dull compared to my new one, and the sheer screen size of it doesn’t compare to my new computer. But they both did an amazing job with sticking with me. Here’s a couple of close up shots.

Tea Party close up otter
I was -not- inspired by beautiful Disney princess gowns at all! Nope! Not one bit!



Tea Partycloseup3

My biggest challenges with this piece was making the interior cohesive, learning a new program, and learning to operate a new computer (and Operating System) It was also interesting to limit my color palette and experiment with that as well.

With each piece I create, I learn a little bit more.
Please don’t forget to like, comment and share if this tickles your fancy!

Until next time!


Dragon Scale Sorcery

*Reading Time: 3 minutes*

This is the second installation of my vixen series! I wanted to play with perspective a bit and have a dynamic looking image. So I came up with this! Once my sketch on my Pastelbord was finished, I erased as much as I could and inked with my Micron pens. Since some parts of our foxy lady was closer and other parts were farther away, I dramatic line weight difference was key.

Pro tip! Inking on Pastelbord is much easier with a fresh pen. Linework application will be much smoother.

After the ink was completely dry, I applied my first wash of red. Working wet into wet, I layered on color after color, eventually darkening it to my liking. You can still see the graphite marks are still peeking through. Be very careful with sketching too dark on Pastelbord. I’ve said it once, and I’ll be happy to say it again: this surface clings onto pastel, charcoal, colored pencil and graphite extremely well. So lifting marks (even with a kneaded eraser) can prove difficult.

All in all though, I’m very loose with color bleeding to other areas. Because of the surface’s thickness, lifting watercolor is fantastic. You can lift almost back to white!



After mixing brown and ivory black paint, I kept chipping away at the background. As I figured out my color scheme ahead of time, I thought now would be a great chance to mess with different breeds of foxes, so I decided to make her a Grey fox.  Once finished, I started layering washes on the star of the show! I wanted a warmer palette as a contrast to her cooler counterpart, so I layered in reds for her hair and incorporated some background color that bled in.

Pro tip #2! When layering an under-painting, those colors will show through on the final piece. Under-paintings can add depth to the overall image and can harmonize your colors when done right.

After getting the basic colors in, I layered more and more to build up the shadows. Once everything was set, it was time to break out my Prismacolors! I’ve never worried about conserving whites while working with these. That sandy surface really does wonders with colored pencils. My white always does the trick.

Pro tip #3! When working on cold press or textured surfaces, make sure you have sharp tips on those pencils for stark, crisp marks.


After going back and forth, adding details from the red and green secondary light, to markings, to fire, to the shines of her eyes, our vixen is complete!



Until next time!


Cerulean Comfort

*Reading Time: 2 minutes*

As the amount of work that needs to be done has trickled down, I’ve took it upon myself to make my own project. A series of painting depicting vixens. This was my way to express whatever ideas came to mind at any point in time, and with no need to spend days or weeks at a time finalizing an image, I stuck with a smaller sizes for the body of work.

So let’s get started!

I sketched right on my Pastelbord with graphite, working, reworking, and re-reworking my ideas. There is a definite con to that, however. Pastelbord has a very sandy textured surface, so it grabs a strong hold of charcoal, graphite, and pastel. With that being said, graphite is difficult to erase completely. Once that was figured out, I had to make adjustments on my material choice.

After everything was as solid as it can be, I inked over it with Micron inks, playing around with line weight for variation. I decided to use ink instead of painting directly over it, because the watercolor would show the pencil marks no matter how much I erased. My original intent was to use only colored pencil, but I opted for watercolor instead.

I cracked open my Reeves watercolor set, and got to painting.

My first application was a light wash of Phthalo Blue mixed with white. I then began to apply more and more layers to my shadows, beefing up our scaly guy and making him more three-dimensional.


After those layers were semi-dry, I began laying pure pigments of Phthalo diluted with water, building up those layers. Layering some more color in, I added some violet to my darkest shadows and began painting in the scales. The big guy was eventually finished, and I tackled his fluffy companion.


Using the same methods as before, I worked on the vixen, layering yellows, oranges, and browns for her fur and dress. Once everything was dried, I went over with colored pencil to sharpen some details, enhance textures and add additional coloring to the overall image.

And voila, we are done!

Cerulean Comfortsmall
Watercolor, ink, and colored pencil on 5x7in Pastelbord

This was such a pleasure to work on. I can’t wait to submit more!